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Open Letter to the Austrian
Public |
Open Letter to the Austrian
Public
September 2000
::Right Wing Government Targets
Public Netbase
The individuals, initiatives, and organizations listed
below hereby demand that Public Netbase, the Viennese
Center for New Media, should neither be forcibly closed,
nor should it be moved from its current location in
the Museumsquartier. We urge the Austrian government
to acknowledge Public Netbase as a pioneer in the field
of new media arts and culture by enabling the organization
to continue its work in the Museumsquartier.
Since its opening in 1994, Public Netbase has played
an instrumental role in shaping the rapidly changing
landscape of electronic culture. Under the dedicated
guidance of Konrad Becker and Marie Ringler, Public
Netbase has contributed both to local media culture
in Vienna and to new media culture in larger European
and global contexts. In addition, Public Netbase offers
a unique mix of community services, including technical
training, public Internet access, and a sophisticated
artistic program; it also produces exhibitions, organizes
conferences, provides essential resources to several
communities, and helps advance the culture of new media
technologies by significantly contributing to the development
of theoretical and practical models. Continuing to integrate
these initiatives into the cultural context of the Museumsquartier
would contribute tremendously to the type of cultural
context and competence that will allow Austria to proceed
through this new century in a manner in keeping with
its rich cultural heritage.
Unfortunately, since the change in government, Public
Netbase has become the target of unreasonable accusations,
hidden machinations, and unwarranted attacks. The withdrawal
of all federal funding, the government's effort to stop
support on the regional level, and the unsuccessful
but extensive investigation into alleged financial misappropriations,
are clearly being enacted as a means of silencing critical
voices in Austrian civil society. We find this situation
to be not only shocking but also deeply distressing,
considering the contributions Public Netbase has made
to the local community and to the field of new media
arts.
We insist that the Austrian government reconsider and
clarify its cultural policy regarding Public Netbase
and acknowledge its achievements. Public Netbase should
be supported for the unique cultural environment it
creates, and for its history of support for experimental
and emerging artistic practices. Not only should Public
Netbase be given consistent support, but so should those
individuals and organizations participating in the impressive
variety of other Austrian independent and experimental
media projects that have come into being over the last
decade. These projects have demonstrated that media
art and network practices have a distinguished history
and that they attempt to reflect the creative diversity
and a broad range of critical discourse of crucial importance
to the emergence of global culture. Too often, electronic
time-based media has been inappropriately described
as marginal, fragmented, or outside the cultural debates
about creativity in the current art scene. Nothing could
be further from the truth, and this is why an organization
like Public Netbase has been a staunch promoter of this
rich new media culture. As such, it is the responsibility
and duty of the Austrian government, as the custodians
of public culture, to reinstate funding for Public Netbase
and facilitate their continued presence in the Museumsquartier.
Anything less would be a disservice to the public and
to the cultural legacy of Europe.
Alex Adriansen, Director V2,
Rotterdam/Netherlands
Eric Alliez, Professeur titulaire de la Chaire d'Esthetique
à l'Académie des Arts plastiques, Vienne/Austria
Eddie Berg, FACT, UK
Kristin Bergaust, Artist and Director of Media-Lab Atelier
Nord, Norway
Andreas Broeckmann, Artistic Director transmediale, Berlin/Germany
Antonella Corsani, enseignant-chercheur Université de
Paris/France
Critical Art Ensemble, Artist Group, USA
Amanda Crowley, Adelaide Festival of Arts, Australia
Erik Davis, Author and Contributing Editor, Wired Magazine,
San Francisco/USA
Manuel DeLanda, Fellow at Institute for Advanced Study,
Princeton, New Jersey/USA
Mark Dery, Author, Editor of Artbyte, New York/USA
Sara Diamond, The Banff Center, Canada
Julian Dibbell, Author, Contributing Editor at FEED Magazine,
South Bend/US
Sher Doruff, Society for Old and New Media, Amsterdam/Netherlands
Timothy Duckrey, Author and Lecturer, USA
Silvia Eiblmayr, Galerie im Taxis Palais Innsbruck/Austria
Adele Eisenstein, C3 Center for Culture & Communication,
Budapest/Hungary
Andrea Ellmeier, Kulturdokumentation, Vienna/Austria
Valie Export, Artist, Vienna/Austria and Academy of Media
Arts Köln/Germany
Bronac Ferran, Arts Council, UK
Jim Fleming, Editor & Publisher, Autonomedia, New York/USA
Vera Frenkel, Ontario/Canada
Tomas Friedmann, Literaturhaus Salzburg, Austria
Martin Fritz, Curator EXPO 2000 (In Between), Hannover/Germany
Matthew Fuller, Lecturer in Media, Communications and
Culture at Middlesex University, working with the artists'
collective Mongrel, UK
Alex Galloway, rhizome.org, New York/USA
Gabriele Gerbasits, IG Kultur Österreich, Vienna/Austria
Lizbeth Goodman, Director of The Institute for New Media,
Performance Research School of Performing Arts - University
of Surrey/UK
Franz Graf, Professor Academy of Fine Arts, Vienna/Austria
Reinhold Grether, Dr, Netscientist University Konstanz/Germany
Henning Gruner, Kunsthaus Tacheles/Berlin
Cees J. Hamelink, Professor of International Communication,
University of Amsterdam/Netherlands
Michael Haneke, Regisseur, Austria
Honor Harger, Tate Modern, London/UK
Lisa Haskel, Media Art Projects, UK
Perry Hoberman, Artist, teaches at the School of Visual
Arts, New York/USA
Danny Holman, No D Media Lab, Prague/Czech Republic
John Hopkins, Media Lab - University of Art and Design,
Helsinki/Finland
Erkki Huhtamo, Professor UCLA, Dept. of Design, Finland
Elfriede Jelinek, Schriftstellerin, Wien/Austria
Michael Joyce, Writer and Professor of Electronic Literature,
New York/USA
Eric Kluitenberg, Media Theorist and Curator New Media,
de Balie - Center for Culture and Politics, Amsterdam/Netherlands
Knowbotic Research, Artist Group, Germany
Piotr Krajewska, WRO Center for Media Art, Wroclaw/Poland
Arthur and Marilouise Kroker, Editors CTHEORY, Boston,
Massachusetts/USA
Spela Kucan, Ljudmila - Ljubljana Digital Media Lab, Slovenia
Violetta Kutlubasis-Krajewska, WRO Center for Media Art,
Wroclaw/Poland
Herbert Lachmayer, Leiter der Meisterklasse für Experimentelle
Visuelle Gestaltung, Universität für künstlerische und
industrielle Gestaltung, Linz/Austria
Jacques Le Rider, Ecole pratique des Hautes Etudes, Section
des sciences historiques et philologiques, Sorbonne, Paris/France
Geert Lovink, Media Theorist, Canberra/Australia
Rafael Lozano-Hemmer, Art and Technology Foundation, Madrid/Spain
Tapio Makela, M-cult, Finland
Gerald Matt, Kunsthalle Wien, Austria
Armin Medosch, Telepolis, London/UK
Wolfgang Modera, Ars Electronica Center, Linz/Austria
Sally Jane Norman, Directrice Générale de l'Ecole supérieure
de l'image, Angoulême, Poitiers/France
Robert Palmer, Director Brussels2000, Belgium
Sylvie Parent, Curator, Centre international d'art contemporain,
Montréal/Canada
Ana Parga, Art and Technology Foundation, Madrid/Spain
Marko Peljhan, Project Atol, Ljubljana/Slovenia
Constance Penley, Professor and Chair Department of Film
Studies, University of California, USA
Miklos Peternak, Director C3 Center for Culture & Communication,
Budapest/Hungary
Otto Pfersmann, Professor for Philosophy, Sorbonne/Paris
Sadie Plant, Writer, Birmingham/UK
Doron Rabinovici, Writer, Austria
Susie Ramsay, Art and Technology Foundation, Madrid/Spain
Veronika Ratzenböck, Director Kulturdokumentation, Vienna/Austria
Christian Reder, Professor University for Applied Arts,
Vienna/Austria
Martin Reiter, Kunsthaus Tacheles/Berlin
RTMark, Artist Group, USA
Gerhard Ruiss, IG Autorinnen Autoren, Austria
Giaco Schiesser, Head Department New Media, University
of Art and Design, Zurich/Switzerland
Annette Schindler, Director Plug In, Basel/Switzerland
Burghart Schmidt, Professor for Aesthetics, University
Offenbach, Germany
Christine Schöpf, Ars Electronica Center, Linz/Austria
Dieter Schrage, Museum moderner Kunst Stiftung Ludwig,
Vienna/Austria
Yukiko Shikata, Curator, Japan
Rasa Smite, E-LAB Electronic Arts and Media Center, Riga/Latvia
Raitis Smits, RIXC The Center for New Media Culture, Riga/Latvia
Stahl Stenslie, Artist and Curator, Oslo/Norway
Marleen Stikker, Society for Old and New Media, Amsterdam/Netherlands
Gerfried Stocker, Ars Electronica Center, Linz/Austria
Martin Sturm, O.K Centrum für Gegenwartskunst, Linz/Austria
Janos Sugar, Media Research Foundation, Budapest/Hungary
Daniela Swarowsky, Manager of DEAF_2000 Festival / V2_Organisation,
Rotterdam/Netherlands
Peter Tomaz, President Association for Culture and Education,
Multimedia Center KiberSRCeLab - KIBLA, Maribor/Slovenia
Toshiya Ueno, Associate Professor, Sociologist, Tokyo/Japan
Markus Wailand, Artist and Curator, Vienna/Austria
Ulrich Wegenast, Wand 5/Stuttgarter Filmwinter, Germany
Dirk de Wit, Brussels2000, Belgium
Siegfried Zielinski, Establishment Rector Academy of Media
Arts, Köln/Germany
Heimo Zobernig, Artist, Vienna/Austria
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